Crowns, Cocks, and Courtesan Classes

Published by Lepida on

Show Notes-

Due to some issues recording, this episode is a bit shorter than our “standard” length. We still had a fantastic conversation in the salon, as well as a very special original performance from Lord Gideon ap Stephen of Atlantia that will make your jaw drop! Listen at work, if you DARE!

 

Royal Terms of Address in the SCA: A little follow up to our discussion of royal peers in the SCA. This link points specifically at the titles in English which are most common, but many languages are included. We are adding gender neutral terms all the time.

Dangerous Beauty: #courtesaninspiration

Watch it on Amazon Prime, or stream it on Netflix.

Care for a visit to Fiammetta Michaelis‘ house? An incredibly brief article about her on the Italian Wikipedia.

Knowne World Bardcast

Lord Gideon ap Stephen the Bard. Discover original work by this wonderful performer!

Courtesan College Class Schedule Google calendar.

 

Thank you Toaster (of 16 Bit Assassins podcast) and Lando for your support.

Here’s a funny little video in your honor. <3

Talk to us!

And, of course, you can always call us at 440-4WHORES.

Episode Credits-

Sound Engineering: Evan Meier

  • Introduction: The King of Denmark’s Galliard, written by John Dowland and published in 1604 in Lachrimæ, or Seaven Teares. Performed by I Solipsisti. Provided by MusOpen. Sounds provided by ZapSplat and AmbientMixer.
  • Whores of History with Mistress Magdalena la Sanguini: Lachrimae Antiquae, written by John Dowland and published in 1604 in Lachrimæ, or Seaven Teares. Perfomed by I Solipsisti. Provided by MusOpen. Sounds by ZapSplat and TabletopAudio.
  • Whores to Culture Courtesan Call-In: The King of Denmark’s Galliard, written by John Dowland and published in 1604 in Lachrimæ, or Seaven Teares. Perfomed by I Solipsisti. Provided by MusOpen. Sounds provided by ZapSplat.
  • Courtesan Theatre: Concerto for 2 Trumpets in C major, RV. 537 (Rondeau arr.) – I. Allegro, written by Antonio Vivaldi. Performed by Michel Rondeau. Provided by MusOpen. Original performance by  Lord Gideon ap Stephen.

Podcast ambience made by TabetopAudio.

Edited with Audacity.

 

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